Showing posts with label poetry. Show all posts
Showing posts with label poetry. Show all posts

Question of translation: Armitage and Gawain

Armitage's version of Sir Gawain and the Green KnightWhere was I last week? I was at the Cheltenham Literature Festival, and one of the events I attended involved British poet Simon Armitage talking about – and reading extracts from – his version of the 14th-century poem 'Sir Gawain and the Green Knight'.

I say 'version' but the word that Armitage used in his talk was 'translation'. 'Translation' was also used in The Independent's review, for example.

However when I was studying Middle English at university, one of my tutors told me never to use the word 'translation' to refer to this process of writing Modern English (or rather, modern English) versions of Middle English works.

Middle and Modern English, my tutor argued, were not two separate languages, and therefore it was not possible to translate between them.

I'm not sure I agree with him, but the habit of avoiding the word 'translation' in this context has stuck with me.

My question to you is: if this process is not 'translating', what should we call it? 'Rewriting' suggests that more major changes are taking place (as does 're-imagining'); 'updating' suggests the original is somehow irrelevant.


On the theme of Simon Armitage, have you seen the film of Rufus Sewell reading Armitage's 9/11 commemorative poem 'Out of the Blue'? It's up on YouTube:

Cumulative grammar poetry time!

I was going through my notebooks from a few years ago and I came across this snippet of (for want of a better word) poetry which I thought I would share with you:

A phrasal verb did me in.
A phrase verb and his mate,
who was a non-defining relative clause,
did me in.

(In case you don't get the joke: 'to do someone in' is a phrasal verb, and the third line of the poem is itself a non-defining relative clause.)

Presumably I had intended to continue the poem, introducing more grammatical terms as I went. And presumably it would have almost followed the form of (what I've just discovered is called) a cumulative song.

Don't judge me, OK?